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The Rhythmic Paradigm of Classical Chinese Poetry

Authors

  • OZODJON OCHILOV Doctor of Philosophy in Philology, TDSU

DOI:

https://doi.org/10.37547/os/vol-01issue-03-05

Keywords:

new poem, poetic revolution, baihua

Abstract

There are several differences between modern and classical Chinese poetry, and one of the most obvious is related to the strict rules imposed on the rhythm of the poem. By the Tang period (from the 7th century AD), much attention was paid to rhythm, especially to the harmony of the first tone. Rhythmic poetry based on melodies was fully formed by the Tang period and a number of strict rules were developed. These rules were in force until the beginning of the 20th century. Below we will take a closer look at the characteristic features of the rhythmic paradigm of ancient poetry. These features will help us understand the essence of the revolutionary poetry reforms that began to flourish in China at the end of the 19th century.

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References

王力:诗词格律 —北京:中华书局,2000. 第3页.

辞海:−上海:上海辞书出版社,1999年,第四卷,第2357页.

王力:诗词格律, −北京:中华书局,2000. 第4页.

龙泉明:《中国新诗流变论1917-1949》,人民文学出版社,1999年版,第20页。

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Published

2022-10-06

How to Cite

OZODJON OCHILOV. (2022). The Rhythmic Paradigm of Classical Chinese Poetry. Sharqshunoslik. Востоковедение. Oriental Studies, 1(03), 38–42. https://doi.org/10.37547/os/vol-01issue-03-05

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