MISR “YANGI SHEʼRIYATI” DA SHAKL VA MAZMUN MUNOSABATI

Abstract

In this article, the movement of "new poetry" that appeared in Egyptian literature in the second half of the 20th century and its characteristics, including the reasons for the emergence and development of "new poetry" and socio-aesthetic factors, stages of development, "ash-shi'ru-l-hurr" ( "free verse") describes the relationship between form and content, weight and rhyme. Representatives of "New Poetry" approached the experience of world poetry without abandoning the national heritage. They enjoyed universal values and used them effectively. They further enriched the treasures of national poetry and, on the one hand, continued the socio-political poetry restored by the great poets of the new classical (neoclassical) poetry, Mahmoud Sami al-Barudi, Ahmad Shawqi, Hafiz Ibrahim, Khalil Mutron, at the beginning of the 20th century. On the other hand, Arab romantics they managed to preserve the principles of respecting the dignity of the individual, discovering his inner world.