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Uzbekistan

Interpretation, analysis in creative artistic research and image specificity

Authors

  • SHIRIN SODIKOVA candidate of philological sciences, TSUOS
  • ANVAR ALLAMBERGENOV lecturer, TSUOS

DOI:

https://doi.org/10.37547/os/vol-01issue-03-04

Keywords:

Poem, word, tone

Abstract

This article deals with Uzbek modern poetry, in particular, the work of Guzal Begim, one of the leading representatives of this trend. The diversity, interpretation, analysis and imagery of the poet's work are demonstrated through the analysis of the poems. Unique metaphors, analogies and comparisons, layers of meaning, that is, polysemy, verses that allow us to draw dozens of conclusions through a single line, are illustrated by examples from poems. The new essence of Uzbek poetry, full of ancient and rich, vital and philosophical observations, saturated with artistic coloring, was discussed in detail about the non-standard forms of modern poetry. At the same time, the opinions expressed by leading scholars and experts in the field of modernism in Uzbek literature are quoted. The ideas obtained in the form of quotations serve to confirm and reinforce the conclusions drawn from the poems and the passages drawn from them. At the end of the article, appropriate conclusions are drawn from the analysis.

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References

Қуронов Д Мутолаа ва идрок машқлари. Т.: Akademnashr, 2013. –Б. 139.

Гўзал Бегим Мажнунсоат. –T.: Akademnashr, 2012. – Б.29.

Гўзал Бегим Мажнунсоат. –T.: Akademnashr, 2012. – Б.53.

Генис А. ХХ асрнинг етакчи услуби // Жаҳон адабиёти, 2002. 11-сон, 157-158-бетлар.

Гўзал Бегим Мажнунсоат. –T.: Akademnashr, 2012. – Б.60.

Гўзал Бегим “Сукунат жаранглари” Тошкент, 1998. Б 27

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Published

2022-10-05

How to Cite

SHIRIN SODIKOVA, & ANVAR ALLAMBERGENOV. (2022). Interpretation, analysis in creative artistic research and image specificity. Sharqshunoslik. Востоковедение. Oriental Studies, 1(03), 4–14. https://doi.org/10.37547/os/vol-01issue-03-04

Issue

Section

Articles

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